Module Title: LIT 103 Folk Literature
Credit Value: 12
Module Tutor: Dr.Umesh
Chandra Sharma
General Objectives
In
this module, students will become acquainted with myths, legends and folk tales
from England, India and Bhutan, Tibet, old and new. Myths will include
creation stories, sagas and epics; legends, family stories and sacred stories;
and folk tales, fables, animal stories, tall tales, pour quoi tales,
magic tales and comic stories. The course will also examine the meaning,
importance and morality of proverbs. Students will study how belief in myths,
legends, folk tales and proverbs shapes communal behaviour and forms culture
and tradition. They will also look at how folk literature influences and
informs English literature in general.
Learning
Outcomes
By the end of the
course, students will be able to-
·
read and analyze a range of folk stories from a
variety of sources drawn,
comparisons between them and identify common themes;
·
recognize form and
characteristic features of folk tales, tall tales, ballads, legends etc;
·
come to appreciate the impact of folk
literature on culture, tradition, beliefs and social mores;
·
comment on how myths, legends and folk
tales relate to the literature;
·
imply or relate the social truth and
wisdom from folk literature to the present day context;
·
grasp the significance of oral folklore
tradition;
·
develop
a grasp of relevant issues in literary theory and folklore studies.
Teaching and Learning
Approach
Lecture: 3hrs/wk
Tutorials:
1hr/wk (including discussions& presentations)
Assessment
1st Assignment: (800
- 1000 words) 10%
2nd
Assignment: (1500 - 2000 words) 20%
Oral
Presentation: 20%
Examination: 50%
Total: 100
marks
Subject Matter:
1. Introduction: What is folk literature; its nature and scope.
2. Oral Traditions: England, India and Bhutan.
3. Folk Literature and Genres: Myths, creation stories, sagas, epics;
legends, family stories and sacred stories; and folk tales, fables, animal
stories, tall tales, pour quoi tales, magic tales and comic stories
4. Dominant features: Element of marvelous, wonder and humor etc.
5. Introduction to Folk tales of Bhutan: The Himalayan oral traditions
in Bhutan, reflection of indigenous culture in folk tales; local gods and
deities. Fables, animal stories communicating morals.
6. Folk oral tradition; introduction to a ballad form: The ballad of
Pemi Tshewang Tashi : A wind borne feather
7. Folktales from Tibet.
8. Introduction to Ramanujan, A.K. Folk Tales from India: Indian oral
traditions, notion of oral epic, the Jatakas, the Panchatantra, the Aryan and
the Dravidian traditions.
9.
Matarasso’s The Quest of the Holy
Grail : Introduction, The Asinan and German traditionArthurian legend and Christian
symbolism, ancient Celtic myth as a spiritual fable.
The quest of the knights of Camelot ,
Bors, Gawain, Lancelot and Galahad – elements of danger , temptation tragic
grandeur and an aura of mysticism. An allegory of man's perilous search for
divine grace.
1.
Alfred Tennyson’s The Coming of Arthur:
Introduction to The Idylls of the King. The notion of an ideal king, the romance of chivalry and the
reflection of Victorian pessimism.
Module developed by: Dr.Umesh Chandra Sharma